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AdENDDA, (2021.) s composed of a singular, repeated rhythmic phrase that is virtually un-notatable. Its nuance exists in the cracks of delineated beats in a measure. The phrase has a melodic shape, but has no determinate pitch, clef, key, nor register, all of which are interpreted by the individual performers. The result of this freedom is intended to highlight the melodic contour without any tonality. AdENDDA is notated on a six-line staff to further destabilize a conventional reading of pitches and intervals. The static rhythmic phrase becomes a filter through which to hear shifting, serialized accent patterns and displaced melodic fragments from an exhaustive number of perspectives or orientations.
video =  12/5/2021, 2220 Arts & Archives


  
ZIGWME, 2018.

composed for and performed by the
Del Sol String 4tet

video = 
8/15/19, New Music for Strings Festival, Reykjavik
I-V superimposed with For 8 Strings
Harpa Concert Hall, Reykjavik. August, 2019









I-V superimposed with For 8 Strings.   Cafe Oto, London, UK. September, 2018






I-V (2014)
for variable ensemble.     view the score

Eric Clark: vln. Cassia Streb: vla. Aniela Perry, Akina Cox: clo, Jake Rosenzweig: bs. Christine Tavolacci, Leah Paul: flutes. Corey Fogel: percussion    



SPUN-OFF MUSIC [Vos iz Abspaltung (musik)? danken!]  (2012)
for chamber ensemble.     view the score

Written for Storefront Plaza installation by artist Nate Page. 

​Two halves of the ensemble are positioned on either side of a glass window, sonically isolated. ​Strategic visual cues, conduction and improvisation are employed to direct the piece.

Eric Clark, Andrew Tholl: vln, Cassia Streb, Ezra Buchla: vla Isaac Takeuchi, James Barry: clo. John Graves, Jeff Schwartz: bs. Kat Nockels, Jon Stehny: bassoon. Leah Paul, Christine Tavolacci: flute. Alicia Byer, Alex Sramek: clarinet. Corey Fogel: percussion.